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Ahuja, Dilip R and Rajani, MB (2016) On the symmetry of the central dome of the Taj Mahal. Current Science, 110 (6). pp. 996-999.
Kaur, Gagan Deep (2016) Cognitive bearing of techno-advances in Kashmiri carpet designing. AI & SOCIETY. pp. 1-16.
Komandur, Kadambari and Menon, Srikumar M (2018) Finishing the Unfinished: Conjectural Restoration of the Open Mantapas at Badami. Heritage: Journal of Multidisciplinary Studies in Archaeology, 6. pp. 344-396.
Kuppa, Meghana and Menon, Srikumar M (2018) Stories from Silent Stones: on the Shape of Wedge Marks as a Diagnostic of Stone‐Craft of Different Periods. Heritage: Journal of Multidisciplinary Studies in Archaeology, 6. pp. 438-486.
Lowson, A and Haricharan, Smriti (2013) Sharing India’s Past: Recording Portable Antiquities and Facilitating a Shared Heritage. Heritage and Us, 2 (1). pp. 6-12.
Menon, Srikumar M and Padigar, Shrinivas V (2018) Prehistoric Painted Rock Shelter or Chalukyan Workshop? New Discovery of a Rock Art Site near Aihole and Its Examination in Context. Heritage: Journal of Multidisciplinary Studies in Archaeology, 6. pp. 529-554.
Rajani, MB (2015) Book Review of "Digital Archetypes: Adaptations of Early Temple Architecture in South and Southeast Asia" by Sambit Datta and David Beynon. South Asia: Journal of South Asian Studies, 38 (2). pp. 354-355.
Srinivasan, Sharada (2012) Swamimalai bronze casting: Chola traditions and changing parameters. Camp - ISIJ, 25. pp. 816-820.
Srinivasan, Sharada (2006) Art and Science of Chola Bronzes. Orientations, 37 (8). pp. 46-55.
Srinivasan, Sharada (2007) Cosmic dance. India International Centre Quarterly, 34 (2). pp. 126-137. ISSN 0376-9771
Srinivasan, Sharada (2001) Dating the Nataraja dance icon: Technical insights. Marg-A Magazine of the Arts, 52 (4). pp. 54-69. ISSN 0972-1444
Srinivasan, Sharada (2021) Goddess worship and the dancing form: exploring ritual in Indian prehistory and south Indian antiquity. Lietuvos archeologija, 47. pp. 145-166.
Srinivasan, Sharada (2011) Jain bronzes in Karnataka: some art historical and technical aspects. IUP Journal of History and Culture, 5 (2). pp. 2-9. ISSN 0016-4437
Srinivasan, Sharada (2017) Ultrahigh-carbon “wootz” from crucible carburization of molten iron: Hypereutectoid steel from “Tamil Nadu Process” at Mel-siruvalur. Materials and Manufacturing Processes, 32 (7-8). pp. 909-915.
Sunder, Sumithra (2016) When Modern Meets Contemporary: Ventakappa Art Gallery and Informal Art Education in Bangalore. Artha: Journal of Social Sciences, 15 (3). pp. 67-80.
Thakur, Hema (2018) Sannati – an Early Historic Buddhist Settlement in North Karnataka, India. The Quarterly Journal of The Mythic Society, 109 (4). pp. 1-17.
Udaya Kumar, S (2019) A Study of Art and Architecture of Avudayar Kovil Temple of Pudukkottai District, Tamil Nadu. Art Style: Art & Culture International Magazine (1). pp. 101-116.
Udaya Kumar, S (2020) The Traditional Craft of Leather Bellows Making: Technoethnoarchaeological Perspectives from Sholapur, India. The Crucible, Historical Metallurgy Society News, 103. pp. 4-5.
Vijayashree, C S (2019) Perpetual Metamorphosis: Feminist Re-Imagination of Two Hindu Themes. ICON, NMI Journal of History of Art, 4. pp. 90-100.
Menon, Sangeetha (2011) A first-person approach to aesthetic emotions in Natyasastra. In: Nature and Culture. History of Science, Philosophy and Cultural in Indian Civilization / ed. by D P Chattopadhyaya, XIV Part I . PHISPC and CSC, New Delhi, pp. 259-270. ISBN 81-87586-49-4
Menon, Srikumar M (2021) Flux and continuity in monument-building traditions in south India. In: Rituals, collapse, and radical transformation in archaic states. Routledge, pp. 161-184.
Menon, Srikumar M (2019) Replicating the Mountain: The Case of Temple Shikharas. In: New Facets of Indian Art, Architecture and Epigraphy (Essays in honour of Prof. S. L. Shantakumari). Agam Kala Prakashan, New Delhi, pp. 66-75. ISBN 978-81-942937-1-2
Settar, S (2011) Early Indian artists. In: Indian art history: Changing perspectives. D.K Printworld, New Delhi, pp. 89-98. ISBN 9788124605974
Srinivasan, Sharada (2014) Aesthetics and the foundations of science: Insights from Indian metallurgical traditions. In: Foundations of Sciences, Vol XIII Part 5 of History of Science, Philosophy and Culture in Indian Civilization. PHISPC-COMSSAVY (D P Chattopadhyaya Gen Ed.), XIII . Pearson, Delhi, pp. 209-254. ISBN 978-81-317-3097-3
Srinivasan, Sharada (2012) Carving a global icon: The Nataraja bronze and Commaraswamy's legacy. In: Asian art and culture: A research volume in honour of Ananda Coomaraswamy. Department of Information, Government of Sri Lanka, Colombo, pp. 245-256. ISBN 978-955-9044-99-4
Srinivasan, Sharada (2011) Nataraja and cosmic space: Nature and culture intertwinings in the early Tamil tradition. In: Nature and Culture. History of Science, Philosophy and Cultural in Indian Civilization / D P Chattopadhyaya Gen. Ed., XIV Part I . PHISPC and CSC, New Delhi, pp. 271-288. ISBN 81-87586-49-4
Srinivasan, Sharada (2013) Techno-cultural perspectives on medieval Southeast Asia and Southern India: Pallava bronzes and beyond. In: Materializing Southeast Asia's Past: Selected Papers from the 12th International Conference of the European Association of Southeast Asian Archaeologists. NUS Press, Singapore, pp. 167-178. ISBN 978-9971-69-655-9
Srinivasan, Sharada (2008) Mirrors: Metal mirrors from India. In: Encyclopedia of the History of Science, Technology and Medicine in Non-Western Cultures, 2nd ed. Springer Verlag, New York, 1699 -1704. ISBN 9781402045592
Srinivasan, Sharada (2024) Wootz Damascus Steel and Evidence from South Indian Antiquity. In: Svastik Stories: Indian Traditional Knowledge Through the Lens of Science. CSIR-NIScPR Publication, pp. 6-12.
Srinivasan, Sharada (2012) The Nataraja bronze: Insights on art, technology and philosophy. In: Indian Art and Religion: An Interactive Approach, 21st Session of Indian Art History Congress, 2012, Kolkatta.
Thakur, Hema (2017) Art at Sannati-An Early Historic Buddhist Settlement in North Karnataka, India. In: Second Conference of the European Association Asian Art and Archaeology, August 24-27, 2017, University of Zurich, Switzerland.
Navaratna, Deepti (2022) The Maverick Maharaja - The Life and Times of Maharaja Jayachamarajendra Wadiyar. Harper Collins India. ISBN 978-9354892448
Settar, S (2008) Somanathapura. Ruvari, Abhinava imprint, Bangalore.
Settar, S (2011) Somanathapura: An illustrated monograph. 2nd ed. Ruvari, Abhinava Imprint, Bangalore. ISBN 978-93-81055-79-3
Settar, S (2020) Early Buddhist Artisans and their Architectural Vocabulary. Manipal Universal Press, Manipal.
Singh, Tejpal and Singh, Sanjib Kumar and Srinivasan, Sharada (2016) Indian Bronze: Ecstasy of Classical Art. National Museum, New Delhi.
Beeharry-Panray, Vijayluxmi (2010) Arts and crafts as an aspect of the Mauritian cultural identity with special reference to Indo-Mauritians. Doctoral thesis, NIAS.
Basu, Mihika (2016) Taj is not symmetrical discover city researchers. Bangalore Mirror, 25 March 2016, Bangalore.
Mahajan, Roli and Srinivasan, Sharada (2020) Art & Technology: Indian Digital Heritage. Culture360 Magazine, 18 May 2020.
Menon, Srikumar M (2020) Megaliths of Pattadakal. Deccan Herald, 26 September 2020.
Mudur, GS (2016) Found: a 'flaw' in the Taj dome not perfectly symmetrical, say scientists. The Telegraph, Calutta.
Srinivasan, Sharada (2013) The art and science of cosmic dance of shiva - the nataraja (Lecture). The Rotator, 22 July 2013.
Tripathi, Shailaja (2016) From K'taka to Kochi. The Hindu.
